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人工智能的視頻宣傳片英文（人工智能的視頻宣傳片英文版）

發(fā)布時(shí)間：2023-05-22 21:04:08 稿源：創(chuàng)意嶺閱讀： 147

大家好！今天讓創(chuàng)意嶺的小編來大家介紹下關(guān)于人工智能的視頻宣傳片英文的問題，以下是小編對此問題的歸納整理，讓我們一起來看看吧。

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本文目錄:

人工智能英文是什么？
求電影《人工智能》的英文簡介
電影《人工智能》英文名？

人工智能的視頻宣傳片英文（人工智能的視頻宣傳片英文版）

人工智能英文是什么？

人工智能（Artificial Intelligence），英文縮寫為AI。它是研究、開發(fā)用于模擬、延伸和擴(kuò)展人的智能的理論、方法、技術(shù)及應(yīng)用系統(tǒng)的一門新的技術(shù)科學(xué)。

人工智能是計(jì)算機(jī)科學(xué)的一個(gè)分支，它企圖了解智能的實(shí)質(zhì)，并生產(chǎn)出一種新的能以人類智能相似的方式做出反應(yīng)的智能機(jī)器，該領(lǐng)域的研究包括機(jī)器人、語言識別、圖像識別、自然語言處理和專家系統(tǒng)等。人工智能從誕生以來，理論和技術(shù)日益成熟，應(yīng)用領(lǐng)域也不斷擴(kuò)大，可以設(shè)想，未來人工智能帶來的科技產(chǎn)品，將會是人類智慧的“容器”。

技術(shù)研究

用來研究人工智能的主要物質(zhì)基礎(chǔ)以及能夠?qū)崿F(xiàn)人工智能技術(shù)平臺的機(jī)器就是計(jì)算機(jī)，人工智能的發(fā)展歷史是和計(jì)算機(jī)科學(xué)技術(shù)的發(fā)展史聯(lián)系在一起的。除了計(jì)算機(jī)科學(xué)以外，人工智能還涉及信息論、控制論、自動化、仿生學(xué)、生物學(xué)、心理學(xué)、數(shù)理邏輯、語言學(xué)、醫(yī)學(xué)和哲學(xué)等多門學(xué)科。

人工智能學(xué)科研究的主要內(nèi)容包括：知識表示、自動推理和搜索方法、機(jī)器學(xué)習(xí)和知識獲取、知識處理系統(tǒng)、自然語言理解、計(jì)算機(jī)視覺、智能機(jī)器人、自動程序設(shè)計(jì)等方面。

求電影《人工智能》的英文簡介

AI - Artificial Intelligence" is the hardest kind of movie to review-but it's also the most enjoyable kind of movie to watch. It's been over three weeks since my screening of Steven Spielberg's emotionally harrowing epic about a robot boy. Before writing my review, I wanted to let its themes, content, and characters sink into my head and make a solid impact. The film was based on an idea by Stanley Kubrick, but when he died in 1999, Speilberg took charge of the project. I could spend pages discussing the techniques of Kubrick's intentions and Spielberg's decisions, but I will not. Stanley Kubrick and Steven Spielberg are two of the greatest directors American cinema has to offer; it's pure pleasure watching their ideas clash and flow. I am not going to examine each individual theme here, either. That would ruin the movie for you.
"AI - Artificial Intelligence" presents many themes on screen, but it's important to take what you get out of it. Whenever I read a review of Kubrick's "A Clockwork Orange" or "2001: A Space Odyssey" I feel influenced by the reviewer's interpretation of the movie's themes. Every time I watch either of those movies I get something new out of it. I hate it when other critics state the movie's themes on paper as if it's a fact. There is far too much room for interpretation to reveal this movie's message, or the message of any Kubrick film for that matter. Ask 100 people, and you might get 100 different answers. "AI - Artificial Intelligence" is that kind of movie-one of the year's best.
Critics and audiences alike have torn apart this movie's ending-a clear miscalculation by Spielberg. If Kubrick were in charge, the movie would have called it quits about twenty minutes earlier in an unsettling sequence that takes place in the ocean. But Speilberg, who always seems entranced by science fiction, injects an additional segment into the mix that does not work quite as well, but isn't so completely awful that it deserves such harsh criticism. It still leaves us with an open, startled emotional disorientation. I left the theater with tears in my eyes. The movie before the conclusion is so complex, moving, and involving in so many different ways the last twenty minutes didn't even come close to spoiling the movie for me.
"AI" transpires sometime in the near future after the polar ice caps have melted and flooded coastal cities and reduced natural resources. Mechanical androids have become popular since they require no commodities. Reproduction has also become highly illegal. Machines provide sexual services and if anyone wants a child, they will purchase a robot. However, the difference between a robot child and a living child is that robots cannot love. That's the task professor Hobby (William Hurt) of Cybertronics Manufacturing has solved. He has made a robot child that can love.
We can separate "AI" into two separate segments. I do not want to reveal too much about each plot because the pleasure of watching this movie evolves from the revealing of the connecting plots. I will, however, briefly say the first details a robot child's interaction within a family, and the second deals with the robot's estrangement from its family and the quest to regain the mother's love.
I can imagine the material in Kubrick's hands. The movie's opening scene has a female robot begin to undress in a public office. Speilberg cuts the action before she reveals any explicit nudity. Kubrick would have had various shots of full frontal nudity. Spielberg, never comfortable with sexual material, leaves out much of the motivation behind Kubrick's ideas. One of the biggest problems in "AI" is the lack of edge with the sexual content. Jude Law plays a robot gigolo who lives in a sex fantasy called Rouge City where people from everywhere come to seek sexual satisfaction. The central character, a robot boy played by Haley Joel Osment, motivates every action in the story except for the scenes in Rouge City. Why contain such a perverse character and setting when his entire existence simply displays a mood that has already been well established. Obvious, the filmmakers toned the aspects of "AI" down to warrant a gutless PG-13 rating-but why? The movie isn't appropriate for children anyway, and it's far too complex. Undoubtedly if Kubrick were in charge "AI" would have to be re-cut to avoid an NC-17 rating. Spielberg should have either taken advantage of the perverse material or completely eliminated it.
Here I am, doing exactly what I said that I wouldn't do, and at nearly 900 words, I still have not clearly expressed my own opinions on the film. I have many notes in front of my that display my reaction as I watched the film, but I am not going to use them-they reveal too much about the movie. "AI" is a very personal film, a deeply moving, scientific, careful, and harrowing motion picture that displays startling talent on screen and behind the scenes. The special effects are extraordinary. The performances are alarming-the immensely talented Haley Joel Osment may once again be up for an Academy Award nomination. Go see the movie, then talk about it with others. It's the kind of film that you can spend hours thinking about, then go see it again.

人工智能的視頻宣傳片英文（人工智能的視頻宣傳片英文版）

電影《人工智能》英文名？

《人工智能》（英文名《A.I.: Artificial Intelligence》）
斯皮爾伯格繼承大師庫布里克遺志，拍攝了這部未來派的科幻史詩影片，裘迪勞和第六感小神童奧士文的機(jī)器人造型頗為神奇。
　　故事發(fā)生在二十一世紀(jì)，地球因溫室效應(yīng)而令冰山溶化，許多沿海城市被水淹沒，人類只有依靠電腦的人工智能來維持生命，同時(shí)人類也應(yīng)用具有人工智能的機(jī)器人作各種不同的用途。在其中的一個(gè)家庭，一對人類父母收養(yǎng)了小機(jī)器人大衛(wèi)（凱利祖奧士文）作為他們的兒子，給他真人一樣的生活。而大衛(wèi)在人類中長大，開始了一段非比尋常的心路歷程…
　　本片是導(dǎo)演監(jiān)制于一身的斯皮爾伯格根據(jù)電影大師史丹利庫布里克生前所留下的八十頁劇本改編而成的。影片的故事有點(diǎn)兒象童話皮諾曹的現(xiàn)代科幻版，和2年前羅賓威廉斯的《兩百年人》（Bicentennial Man）也有幾分相似。而片名 A.I. 是 Artificial Intelligence 的縮寫，就是人工智能的意思，影片的全名也應(yīng)該是 A.I.: Artificial Intelligence。
　　斯皮爾伯格自98年的《拯救大兵瑞恩》后就一直在猶豫他的下一部作品，他手頭的計(jì)劃包括《藝妓回憶錄》(Memoirs of a Geisha)、《印地安那瓊斯第四集》(Indiana Jones 4)和《少數(shù)派報(bào)告》(Minority Report)等。但由于和他有20年交情的庫布里克于1999年突然去世，《大開眼界》(Eyes Wide Shut)在無奈中帶著一絲遺憾成了大師的絕響，而大師生前最后一個(gè)計(jì)劃也就是本片《A.I.》暫時(shí)擱淺，這一突變使得斯皮爾伯格把本片列入了他的計(jì)劃之中。
　　斯皮爾伯格于去年初決定繼《侏羅紀(jì)公園》后再度挑戰(zhàn)科幻題材的影片，其中包括向老友致敬的這部《A.I.》和湯姆克魯斯期待多時(shí)的《少數(shù)派報(bào)告》，兩部影片到底誰先勝出一度成了影迷茶余飯后的最佳話題。經(jīng)過數(shù)度周折，斯皮爾伯格最終選擇了這部他從未嘗試過的未來派風(fēng)格的科幻史詩影片《A.I.》。(以上均為網(wǎng)絡(luò)轉(zhuǎn)載）
對本部科幻經(jīng)典的一切評價(jià)都顯得蒼白空洞，個(gè)中寓意萬千，只可自己身受。
望及時(shí)采納！

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